![Jotta: a minha maladresse é uma forma de délicatesse](https://i3.wp.com/image.tmdb.org/t/p/w185/4XVvk7fo3NvYSlqmTc7noP6zmZW.jpg)
Plot
How to represent an artistic intention without reducing it to a description? How to do it preserving the intentionality of the gestus in an ambiguous andsubjective space where the individualism of the artistic perspective is set. “my maladresse…” proposes a viewpoint over Ana Jotta’s universe. An analogous portrait of her relations as an artist is created, setting parallel questions, as hermeneutics possibility and art as a value system. The link relating the trio (artist and director’s deuce) balances between familiarity, master and apprentice, subject and object; the distance and authority of the one behind the camera spreading light around artisticurgencies concerning how Work and Life overlay in this unquiet chase of the greater purpose: a search for consolation in the holy_burlesque of existential functionalism. A documental laboratory of reflexive limits.
Writer | N/A |
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Director | Salomé Lamas & Francisco Moreira |
Actor | Ana Jotta, Fernando Cabral Martins |
Country | Portugal |
Production | Terratreme |